Zonia‘s Rain Forest

In her first solo project since her Caldecott Honor–winning Alma and How She Got Her Name (2018), Martinez-Neal presents a tale that is both celebratory and cautionary in nature. . . Martinez-Neal’s rounded, soft-textured illustrations are wonderfully inviting and involve linocut and woodcut leaves and fronds printed on natural banana-bark paper. Amid these varied greens, Zonia shines in her marigold tunic, as do many of the warmly or brightly colored animal friends she visits; young readers will enjoy finding the blue butterfly in every spread and learning the names of the rain forest creatures, which are identified in the back matter. The text is kept to two short sentences per double-page spread, reflecting Zonia’s uncomplicated and innocent view of the world, which is shaken when she stumbles upon a large section of clear-cut forest. This scene is Martinez-Neal’s call to action for her readers. —Booklist (starred review) Zonia, a young Asháninka girl living in the Amazon rainforest begins her days with a walk through the lush forest and greeting all her animal friends. . . On her way home, the young Indigenous girl stumbles upon a patch that has been a victim of deforestation. Frightened, she decides she must answer the call to protect her home. . .This beautiful look at a young girl’s life and her determination to save her home is a perfect read for young environmentalists. —School Library Journal (starred review) In Juana Martinez-Neal‘s Zonia‘s Rain Forest, super-cute critters are out in full force. . .A girl who lives in the rain forest begins each day by greeting her animal friends in this exuberant picture book crowned with an environmental message. —Shelf Awareness In wispy mixed-media art that includes linocuts on banana bark paper, Martinez-Neal introduces Zonia’s friends, the animals of the Amazon—blue morph butterflies, river dolphins, sloths, and more—who interact with the child in their shared home. . . Further supporting this striking look at the way environmental destruction disenfranchises Indigenous communities, back matter contextualizes the final images and, alongside material about life in the Amazon, includes a translation of the text into Asháninka. —Publishers Weekly A young Asháninka girl in the Peruvian rain forest enjoys exploring her surroundings—until one day she sees something that frightens her. . . Sweet illustrations done on handmade banana-bark paper depict a spunky and happy brown-skinned child with high cheekbones and long black hair flying in the wind. —Kirkus Reviews