The Man Who Died in His Imagination

The narrative in these writings oscillates between the realistic reference that people encounter in their daily lives, on the one hand, and the imaginary, to the point of alienation, on the other. This oscillation has made the identity of the characters and their images, the events and their rhythm, and the times and places constantly changing and even inhabited by surprise. The recipient is not reassured by a meaning until another meaning appears, and does not resort to an interpretation until another tempts him. This is a manifestation of the experimentation in which the individual discourse opens up to the unexpected, the possible, and the probable at the same time. It is as if writing in itself does not create a law for itself except to violate it and exceed it, and does not return to reality except to rebuild and arrange it with a subjective vision that reveals the desire of its owner to create other possible worlds that are different from the reference, but that dialogue with it and listen to it. The Man Who Died in His Imagination - Abdulaziz Al-Essa